the next stage in the development of television is

Since replacing radio as the most popular mass medium in the 1950s, television has played such an integral role in modern life that, for some, it is difficult đồ sộ imagine being without it. Both reflecting and shaping cultural values, television has at times been criticized for its alleged negative influences on children and young people and at other times lauded for its ability đồ sộ create a common experience for all its viewers. Major world events such as the John F. Kennedy and Martin Luther King assassinations and the Vietnam War in the 1960s, the Challenger shuttle explosion in 1986, the 2001 terrorist attacks on the World Trade Center, and the impact and aftermath of Hurricane Katrina in 2005 have all played out on television, uniting millions of people in shared tragedy and hope. Today, as Internet technology and satellite broadcasting change the way people watch television, the medium continues đồ sộ evolve, solidifying its position as one of the most important inventions of the 20th century.

The Origins of Television

Inventors conceived the idea of television long before the technology đồ sộ create it appeared. Early pioneers speculated that if audio waves could be separated from the electromagnetic spectrum đồ sộ create radio, so sánh too could TV waves be separated đồ sộ transmit visual images. As early as 1876, Boston civil servant George Carey envisioned complete television systems, putting forward drawings for a “selenium camera” that would enable people đồ sộ “see by electricity” a year later (Federal Communications Commission, 2005).

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During the late 1800s, several technological developments phối the stage for television. The invention of the cathode ray tube (CRT) by German physicist Karl Ferdinand Braun in 1897 played a vital role as the forerunner of the TV picture tube. Initially created as a scanning device known as the cathode ray oscilloscope, the CRT effectively combined the principles of the camera and electricity. It had a fluorescent screen that emitted a visible light (in the size of images) when struck by a beam of electrons. The other key invention during the 1880s was the mechanical scanner system. Created by German inventor Paul Nipkow, the scanning disk was a large, flat metal disk with a series of small perforations arranged in a spiral pattern. As the disk rotated, light passed through the holes, separating pictures into pinpoints of light that could be transmitted as a series of electronic lines. The number of scanned lines equaled the number of perforations, and each rotation of the disk produced a television frame. Nipkow’s mechanical disk served as the foundation for experiments on the transmission of visual images for several decades.

In 1907, Russian scientist Boris Rosing used both the CRT and the mechanical scanner system in an experimental television system. With the CRT in the receiver, he used focused electron beams đồ sộ display images, transmitting crude geometrical patterns onto the television screen. The mechanical disk system was used as a camera, creating a primitive television system.

Figure 9.1

Diagram of a ray tube and illustration of a Nipkow disk

Diagram of a ray tube and illustration of a Nipkow disk

Two key inventions in the 1880s paved the way for television đồ sộ emerge: the cathode ray tube and the mechanical disk system.

Mechanical Television versus Electronic Television

From the early experiments with visual transmissions, two types of television systems came into existence: mechanical television and electronic television. Mechanical television developed out of Nipkow’s disk system and was pioneered by British inventor John Logie Baird. In 1926, Baird gave the world’s first public demonstration of a television system at Selfridge’s department store in London. He used mechanical rotating disks đồ sộ scan moving images into electrical impulses, which were transmitted by cable đồ sộ a screen. Here they showed up as a low-resolution pattern of light and dark. Baird’s first television program showed the heads of two ventriloquist dummies, which he operated in front of the camera apparatus out of the audience’s sight. In 1928, Baird extended his system by transmitting a signal between London and Thành Phố New York. The following year, the British Broadcasting Corporation (BBC) adopted his mechanical system, and by 1932, Baird had developed the first commercially viable television system and sold 10,000 sets. Despite its initial success, mechanical television had several technical limitations. Engineers could get no more phàn nàn about 240 lines of resolution, meaning images would always be slightly fuzzy (most modern televisions produce images of more phàn nàn 600 lines of resolution). The use of a spinning disk also limited the number of new pictures that could be seen per second, resulting in excessive flickering. The mechanical aspect of television proved đồ sộ be a disadvantage that required fixing in order for the technology đồ sộ move forward.

At the same time Baird (and, separately, American inventor Charles Jenkins) was developing the mechanical model, other inventors were working on an electronic television system based on the CRT. While working on his father’s farm, Idaho teenager Philo Farnsworth realized that an electronic beam could scan a picture in horizontal lines, reproducing the image almost instantaneously. In 1927, Farnsworth transmitted the first all-electronic TV picture by rotating a single straight line scratched onto a square piece of painted glass by 90 degrees.

Farnsworth barely profited from his invention; during World War II, the government suspended sales of TV sets, and by the time the war ended, Farnsworth’s original patents were close đồ sộ expiring. However, following the war, many of his key patents were modified by RCA and were widely applied in broadcasting đồ sộ improve television picture quality.

Having coexisted for several years, electronic television sets eventually began đồ sộ replace mechanical systems. With better picture quality, no noise, a more compact size, and fewer visual limitations, the electronic system was far superior đồ sộ its predecessor and rapidly improving. By 1939, the last mechanical television broadcasts in the United States had been replaced with electronic broadcasts.

Early Broadcasting

Television broadcasting began as early as 1928, when the Federal Radio Commission authorized inventor Charles Jenkins đồ sộ broadcast from W3XK, an experimental station in the Maryland suburbs of Washington, DC. Silhouette images from motion picture films were broadcast đồ sộ the general public on a regular basis, at a resolution of just 48 lines. Similar experimental stations ran broadcasts throughout the early 1930s. In 1939, RCA subsidiary NBC (National Broadcasting Company) became the first network đồ sộ introduce regular television broadcasts, transmitting its inaugural telecast of the opening ceremonies at the Thành Phố New York World’s Fair. The station’s initial broadcasts transmitted đồ sộ just 400 television sets in the Thành Phố New York area, with an audience of 5,000 đồ sộ 8,000 people (Lohr, 1940).

Television was initially available only đồ sộ the privileged few, with sets ranging from $200 đồ sộ $600—a hefty sum in the 1930s, when the average annual salary was $1,368 (KC Library). RCA offered four types of television receivers, which were sold in high-end department stores such as Macy’s and Bloomingdale’s, and received channels 1 through 5. Early receivers were a fraction of the size of modern TV sets, featuring 5-, 9-, or 12-inch screens. Television sales prior đồ sộ World War II were disappointing—an uncertain economic climate, the threat of war, the high cost of a television receiver, and the limited number of programs on offer deterred numerous prospective buyers. Many unsold television sets were put into storage and sold after the war.

NBC was not the only commercial network đồ sộ emerge in the 1930s. RCA radio rival CBS (Columbia Broadcasting System) also began broadcasting regular programs. So that viewers would not need a separate television phối for each individual network, the Federal Communications Commission (FCC) outlined a single technical standard. In 1941, the panel recommended a 525-line system and an image rate of 30 frames per second. It also recommended that all U.S. television sets operate using analog signals (broadcast signals made of varying radio waves). Analog signals were replaced by digital signals (signals transmitted as binary code) in 2009.

With the outbreak of World War II, many companies, including RCA and General Electric, turned their attention đồ sộ military production. Instead of commercial television sets, they began đồ sộ churn out military electronic equipment. In addition, the war halted nearly all television broadcasting; many TV stations reduced their schedules đồ sộ around 4 hours per week or went off the air altogether.

Color Technology

Although it did not become available until the 1950s or popular until the 1960s, the technology for producing color television was proposed as early as 1904, and was demonstrated by John Logie Baird in 1928. As with his black-and-white television system, Baird adopted the mechanical method, using a Nipkow scanning disk with three spirals, one for each primary color (red, green, and blue). In 1940, CBS researchers, led by Hungarian television engineer Peter Goldmark, used Baird’s 1928 designs đồ sộ develop a concept of mechanical color television that could reproduce the color seen by a camera lens.

Following World War II, the National Television System Committee (NTSC) worked đồ sộ develop an all-electronic color system that was compatible with black-and-white TV sets, gaining FCC approval in 1953. A year later, NBC made the first national color broadcast when it telecast the Tournament of Roses Parade. Despite the television industry’s tư vấn for the new technology, it would be another 10 years before color television gained widespread popularity in the United States, and black-and-white TV sets outnumbered color TV sets until 1972 (Klooster, 2009).

The Golden Age of Television

Figure 9.3

Graph showing the increase of television sets overtime

During the so-called “golden age” of television, the percentage of U.S. households that owned a television phối rose from 9 percent in 1950 đồ sộ 95.3 percent in 1970.

The 1950s proved đồ sộ be the golden age of television, during which the medium experienced massive growth in popularity. Mass-production advances made during World War II substantially lowered the cost of purchasing a phối, making television accessible đồ sộ the masses. In 1945, there were fewer phàn nàn 10,000 TV sets in the United States. By 1950, this figure had soared đồ sộ around 6 million, and by 1960 more phàn nàn 60 million television sets had been sold (World Book Encyclopedia, 2003). Many of the early television program formats were based on network radio shows and did not take advantage of the potential offered by the new medium. For example, newscasters simply read the news as they would have during a radio broadcast, and the network relied on newsreel companies đồ sộ provide footage of news events. However, during the early 1950s, television programming began đồ sộ branch out from radio broadcasting, borrowing from theater đồ sộ create acclaimed dramatic anthologies such as Playhouse 90 (1956) and The U.S. Steel Hour (1953) and producing quality news film đồ sộ accompany coverage of daily events.

Two new types of programs—the magazine format and the TV spectacular—played an important role in helping the networks gain control over the nội dung of their broadcasts. Early television programs were developed and produced by a single sponsor, which gave the sponsor a large amount of control over the nội dung of the show. By increasing program length from the standard 15-minute radio show đồ sộ 30 minutes or longer, the networks substantially increased advertising costs for program sponsors, making it prohibitive for a single sponsor. Magazine programs such as the Today show and The Tonight Show, which premiered in the early 1950s, featured multiple segments and ran for several hours. They were also screened on a daily, rather phàn nàn weekly, basis, drastically increasing advertising costs. As a result, the networks began đồ sộ sell spot advertisements that ran for 30 or 60 seconds. Similarly, the television spectacular (now known as the television special) featured lengthy music-variety shows that were sponsored by multiple advertisers.

Figure 9.4

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Who Wants đồ sộ be a Millionaire quiz-show logo

ABC’s Who Wants đồ sộ Be a Millionaire brought the quiz show back đồ sộ prime-time television after a 40-year absence.

sonicwwtbamfangamer2 – millionaire – CC BY-SA 2.0.

In the mid-1950s, the networks brought back the radio quiz-show genre. Inexpensive and easy đồ sộ produce, the trend caught on, and by the over of the 1957–1958 season, 22 quiz shows were being aired on network television, including CBS’s $64,000 Question. Shorter phàn nàn some of the new types of programs, quiz shows enabled single corporate sponsors đồ sộ have their names displayed on the phối throughout the show. The popularity of the quiz-show genre plunged at the over of the decade, however, when it was discovered that most of the shows were rigged. Producers provided some contestants with the answers đồ sộ the questions in order đồ sộ pick and choose the most likable or controversial candidates. When a slew of contestants accused the show Dotto of being fixed in 1958, the networks rapidly dropped trăng tròn quiz shows. A Thành Phố New York grand jury probe and a 1959 congressional investigation effectively ended prime-time quiz shows for 40 years, until ABC revived the genre with its launch of Who Wants đồ sộ Be a Millionaire in 1999 (Boddy, 1990).

The Rise of Cable Television

Formerly known as Community Antenna Television, or CATV, cable television was originally developed in the 1940s in remote or mountainous areas, including in Arkansas, Oregon, and Pennsylvania, đồ sộ enhance poor reception of regular television signals. Cable antennas were erected on mountains or other high points, and homes connected đồ sộ the towers would receive broadcast signals.

In the late 1950s, cable operators began đồ sộ experiment with microwave đồ sộ bring signals from distant cities. Taking advantage of their ability đồ sộ receive long-distance broadcast signals, operators branched out from providing a local community service and began focusing on offering consumers more extensive programming choices. Rural parts of Pennsylvania, which had only three channels (one for each network), soon had more phàn nàn double the original number of channels as operators began đồ sộ import programs from independent stations in Thành Phố New York and Philadelphia. The wider variety of channels and clearer reception the service offered soon attracted viewers from urban areas. By 1962, nearly 800 cable systems were operational, serving 850,000 subscribers.

Figure 9.5

Chart showing the timeline of television development

The Evolution of Television

Cable’s exponential growth was viewed as competition by local TV stations, and broadcasters campaigned for the FCC đồ sộ step in. The FCC responded by placing restrictions on the ability of cable systems đồ sộ import signals from distant stations, which froze the development of cable television in major markets until the early 1970s. When gradual deregulation began đồ sộ loosen the restrictions, cable operator Service Electric launched the service that would change the face of the cable television industry—pay TV. The 1972 trang chủ Box Office (HBO) venture, in which customers paid a subscription fee đồ sộ access premium cable television shows and video-on-demand products, was the nation’s first successful pay cable service. HBO’s use of a satellite đồ sộ distribute its programming made the network available throughout the United States. This gave it an advantage over the microwave-distributed services, and other cable providers quickly followed suit. Further deregulation provided by the 1984 Cable Act enabled the industry đồ sộ expand even further, and by the over of the 1980s, nearly 53 million households subscribed đồ sộ cable television (see Section 6.3 “Current Popular Trends in the Music Industry”). In the 1990s, cable operators upgraded their systems by building higher-capacity hybrid networks of fiber-optic and coaxial cable. These broadband networks provide a multichannel television service, along with telephone, high-speed Internet, and advanced digital Clip services, using a single wire.

The Emergence of Digital Television

Following the FCC standards phối out during the early 1940s, television sets received programs via analog signals made of radio waves. The analog signal reached TV sets through three different methods: over the airwaves, through a cable wire, or by satellite transmission. Although the system remained in place for more phàn nàn 60 years, it had several disadvantages. Analog systems were prone đồ sộ static and distortion, resulting in a far poorer picture quality phàn nàn films shown in movie theaters. As television sets grew increasingly larger, the limited resolution made scan lines painfully obvious, reducing the clarity of the image. Companies around the world, most notably in nhật bản, began đồ sộ develop technology that provided newer, better-quality television formats, and the broadcasting industry began đồ sộ lobby the FCC đồ sộ create a committee đồ sộ study the desirability and impact of switching đồ sộ digital television. A more efficient and flexible size of broadcast technology, digital television uses signals that translate TV images and sounds into binary code, working in much the same way as a computer. This means they require much less frequency space and also provide a far higher quality picture. In 1987, the Advisory Committee on Advanced Television Services began meeting đồ sộ test various TV systems, both analog and digital. The committee ultimately agreed đồ sộ switch from analog đồ sộ digital format in 2009, allowing a transition period in which broadcasters could send their signal on both an analog and a digital channel. Once the switch took place, many older analog TV sets were unusable without a cable or satellite service or a digital converter. To retain consumers’ access đồ sộ không tính tiền over-the-air television, the federal government offered $40 gift cards đồ sộ people who needed đồ sộ buy a digital converter, expecting đồ sộ recoup its costs by auctioning off the old analog broadcast spectrum đồ sộ wireless companies (Steinberg, 2007). These companies were eager đồ sộ gain access đồ sộ the analog spectrum for mobile broadband projects because this frequency band allows signals đồ sộ travel greater distances and penetrate buildings more easily.

The Era of High-Definition Television

Around the same time the U.S. government was reviewing the options for analog and digital television systems, companies in nhật bản were developing technology that worked in conjunction with digital signals đồ sộ create crystal-clear pictures in a wide-screen format. High-definition television, or HDTV, attempts đồ sộ create a heightened sense of realism by providing the viewer with an almost three-dimensional experience. It has a much higher resolution phàn nàn standard television systems, using around five times as many pixels per frame. First available in 1998, HDTV products were initially extremely expensive, priced between $5,000 and $10,000 per phối. However, as with most new technology, prices dropped considerably over the next few years, making HDTV affordable for mainstream shoppers.

Figure 9.6

Photo demonstrating the picture difference in standard and HD aspect ratios

HDTV uses a wide-screen format with a different aspect ratio (the ratio of the width of the image đồ sộ its height) phàn nàn standard-definition TV. The wide-screen format of HDTV is similar đồ sộ that of movies, allowing for a more authentic film-viewing experience at trang chủ.

As of 2010, nearly half of American viewers are watching television in high definition, the fastest adoption of TV technology since the introduction of the VCR in the 1980s (Stelter, 2010). The new technology is attracting viewers đồ sộ watch television for longer periods of time. According đồ sộ the Nielsen Company, a company that measures TV viewership, households with HDTV watch 3 percent more prime-time television—programming screened between 7 and 11 p.m., when the largest audience is available—than their standard-definition counterparts (Stelter, 2010). The same report claims that the cinematic experience of HDTV is bringing families back together in the living room in front of the large wide-screen TV and out of the kitchen and bedroom, where individuals tend đồ sộ watch television alone on smaller screens. However, these viewing patterns may change again soon as the Internet plays an increasingly larger role in how people view TV programs. The impact of new technologies on television is discussed in much greater detail in Section 9.4 “Influence of New Technologies” of this chapter.

Figure 9.7

Chart showing the increase in the amount of time people spend viewing television

Since 1950, the amount of time the average household spends watching television has almost doubled.

Key Takeaways

  • Two key technological developments in the late 1800s played a vital role in the evolution of television: the cathode ray tube and the scanning disk. The cathode ray tube, invented by German physicist Karl Ferdinand Braun in 1897, was the forerunner of the TV picture tube. It had a fluorescent screen that emitted a visible light (in the size of images) when struck by a beam of electrons. The scanning disk, invented by German inventor Paul Nipkow, was a large, flat metal disk that could be used as a rotating camera. It served as the foundation for experiments on the transmission of visual images for several decades.
  • Out of the cathode ray tube and the scanning disk, two types of primitive television systems evolved: mechanical systems and electronic systems. Mechanical television systems had several technical disadvantages: Low resolution caused fuzzy images, and the use of a spinning disk limited the number of new pictures that could be seen per second, resulting in excessive flickering. By 1939, all mechanical television broadcasts in the United States had been replaced by electronic broadcasts.
  • Early televisions were expensive, and the technology was slow đồ sộ catch on because development was delayed during World War II. màu sắc technology was delayed even further because early color systems were incompatible with black-and-white television sets. Following the war, television rapidly replaced radio as the new mass medium. During the “golden age” of television in the 1950s, television moved away from radio formats and developed new types of shows, including the magazine-style variety show and the television spectacular.
  • Since 1960, several key technological developments have taken place in the television industry. màu sắc television gained popularity in the late 1960s and began đồ sộ replace black-and-white television in the 1970s. Cable television, initially developed in the 1940s đồ sộ cater đồ sộ viewers in rural areas, switched its focus from local đồ sộ national television, offering an extensive number of channels. In 2009, the traditional analog system, which had been in place for 60 years, was replaced with digital television, giving viewers a higher-quality picture and freeing up frequency space. As of 2010, nearly half of American viewers have high-definition television, which offers a crystal-clear picture in wide-screen đồ sộ provide a cinematic experience at trang chủ.

Exercises

Please respond đồ sộ the following writing prompts. Each response should be a minimum of one paragraph.

  1. Prior đồ sộ World War II, television was in the early stages of development. In the years following the war, the technical development and growth in popularity of the medium were exponential. Identify two ways television evolved after World War II. How did these changes make postwar television superior đồ sộ its predecessor?
  2. Compare the television you use now with the television from your childhood. How have TV sets changed in your lifetime?
  3. What vì thế you consider the most important technological development in television since the 1960s? Why?

Boddy, William. “The Seven Dwarfs and the Money Grubbers,” in Logics of Television: Essays in Cultural Criticism, ed. Patricia Mellencamp (Bloomington, IN: Indiana University Press, 1990), 98–116.

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Klooster, John. Icons of Invention: The Makers of the Modern World from Gutenberg đồ sộ Gates (Santa Barbara, CA: ABC-CLIO, 2009), 442.

Lohr, Lenox. Television Broadcasting (New York: McGraw Hill, 1940).

World Book Encyclopedia (2003), s.v. “Television.”